DJ page template
A DJ's page doesn't get read — it gets scanned. A promoter opens it on a phone, at night, between twenty other messages, and decides in under a minute whether to write to you. Cabina is built for that minute.
Most DJ pages fail the same way: they are built to be looked at rather than acted on. Big type, lots of air, three scrolls before the first set. Cabina inverts that. Density is tighter than any other template, corners are square, body text is monospaced and the name sits in caps at the top. It reads closer to a rack label than a portfolio, which is the point: whoever opens it is after facts, not an experience.
The content column is narrow — 620 pixels — because on a phone anything wider makes the eye sweep left to right on every line. Images render in duotone against the accent colour, so a flash-lit booth photo and a professional shot read as part of the same page instead of fighting each other. The ambient glow stays on, the one decorative thing allowed here: it holds contrast on screens turned down low.
The blocks it opens with
Pick this template and the page starts with the five blocks a DJ needs, in the order a promoter looks for them. It is not a restriction: you can remove any of them and add anything else, including blocks from the other templates. It is the starting order, so you never face an empty page.
- Links — Instagram, SoundCloud, your agency contact. At the top because it is what gets tapped most.
- Music — a SoundCloud set or an embedded Spotify playlist that plays without leaving the page.
- Events — where you play. A promoter who sees three confirmed dates never has to ask whether you are active.
- Technical rider — the one you normally send as a PDF over WhatsApp and nobody can find afterwards.
- Contact form — so the reply lands in your inbox instead of a message request.
The rider stops being a PDF
The rider block is the one that changes daily life most. Today your rider lives in a PDF you send over WhatsApp, the promoter downloads it, it sits in their phone downloads folder and nobody opens it again. Change controller and you have to remember everyone you sent it to. Here the rider is part of the page: you edit it once and everyone holding your link sees the new version. How to build a technical rider covers what goes in each section.
Do I need design skills to use this template?
No. You pick the template, add your links and your sets, and the page is built. There is nothing to position and no width to adjust: the structure is already decided, and all you change is the content and the colour palette, from the three Cabina was designed against.
Can I use my own domain?
Your page lives at stagelink.art under your username, and that link works from day one. Custom domains are in development. In the meantime the short link is an advantage: it fits whole in an Instagram bio and can be read out over the phone without spelling anything.
Is it useful if I don't have gigs booked yet?
Yes, and probably most of all then. Remove the events block and keep music, links and contact. A page with three sets and a clear way to reach you says more than a link list with nine unlabelled buttons. Add the events block when you have dates.
How is this different from a normal link in bio?
A link in bio is a list of links: whoever opens it has to choose a destination before knowing who you are. A DJ page answers first — this is how I sound, here is where I play, this is how you book me — and offers destinations second. The full comparison is here.