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Music producer page template

A producer is not sold with a photo. A producer is sold with a list: which records, which labels, for whom. Créditos puts that list at the top and leaves the name signing off below.

It is the only template with no cover image. None. The space the others spend on a header starts straight into the work here, because a cover on a producer page takes the entire first screen without adding a single fact. The avatar is small and sits beside the name — side header, not stacked — so the first line of the page is already content.

Images render in monochrome. It is an uncomfortable decision worth explaining: record covers come from different labels with different colour instincts, and side by side they read as a collage. In monochrome they read as a discography. The ambient glow is off for the same reason — nothing here competes with the text — and corners carry a 4-pixel radius, just enough not to look like a spreadsheet.

The blocks it opens with

The five blocks it opens with follow the order someone evaluating you for a job actually reads in: what you made, how it sounds, who you made it with, and finally how to hire you.

  • Releases — the releases from your profile, in the order you choose. The main block of this template.
  • Music — an embed so it plays without opening another tab. Nobody leaves a page to come back.
  • Labels — who you released with, with logos. The strongest social proof a producer has.
  • Smart Merch — if you sell something physical it goes here, not at the top: the work comes first.
  • Contact form — so a work enquiry reaches an inbox instead of a message request.

When to send an EPK instead

The page is public and built to be found. An EPK is a separate document, built to be sent: biography, high-resolution photos, rider, management contact. If what you need is something to attach to an email to a label, the EPK for producers is the tool. Most people end up with both: the page gets shared, the EPK gets sent.

Can I show work where I'm not the lead artist?

Yes, and it is the common case. The releases block takes whatever you add to your profile, regardless of whether you are credited as artist, producer, mix engineer or feature. You can put the role in each release title so it reads at a glance.

Why are the covers black and white?

Because they come from different labels and in colour they fight each other: the page ends up looking like a collage rather than a discography. If you prefer colour, switch templates without losing anything you have added — the content is the same and only the presentation changes.

Does it work for a mixing or mastering engineer?

Yes. It is the same need — a verifiable list of work with the labels visible — and the same blocks. The only thing you would likely change is dropping the merch block and adding a text block with your signal chain or your room.

What does it cost?

The Créditos template is included from the Pro plan. The page itself, on the Base or Cabina template, is free with no time limit. You can build the whole thing for free and switch templates later without redoing anything.