A link in bio for musicians
Link-in-bio tools were designed for creators selling things: a list of buttons, each one a destination, all of them equal. A musician has a different shape of problem — one thing matters at a time, and which thing it is changes every few months.
Your page has a cycle
Six weeks before a release you are collecting pre-saves. On release day the only thing that matters is the link to the song. Three weeks later it is the video. Then it is tour dates, until the next single. A list of nine equal buttons cannot express any of that — it shows the same thing in the same order on the day of your album launch as on a random Tuesday in February.
The practical fix is being able to reorder. Whatever sits at the top gets the clicks, so the page should change when the priority does, and that should take thirty seconds rather than a redesign.
The streaming problem
Every platform wants to be the destination, and your audience is split across four of them. The usual answer is a row of service buttons, which pushes the choice onto the listener — and a listener who has to choose often chooses to leave.
The better default is to play something on the page. An embedded track answers "what does this sound like" before anyone has picked a platform, and the platform links go underneath for whoever already has a preference.
The one thing you should own
Every follower you have lives on a platform that decides who sees your posts, and that decision changes without warning. An email list is the only channel where reaching the people who asked to hear from you is not a negotiation.
The email capture block asks for an address with a consent checkbox and exports to CSV whenever you want. It is the block most worth having on a page that would otherwise just be links — and on the band template it ships enabled for exactly that reason.
What a page has that a list does not
- Music that plays without leaving the page.
- Dates with a ticket link, that hide themselves once they pass.
- A bio, so someone who arrived from a shared link knows who you are.
- A press kit for whoever is not a fan but a promoter.
- Analytics that exclude your own visits, so the numbers are real.
Is this different from what you offer DJs?
The tool is the same; the emphasis is not. A DJ page is read by promoters as often as by fans, so the rider and the play history matter. A musician page is mostly read by listeners, so what plays first and the mailing list matter more. The DJ version is here.
Can I keep using Linktree as well?
You can, though running both means keeping two things current and one of them going stale. If you want the comparison rather than the pitch, we wrote one, including where Linktree is the better choice.
Does it work for a solo singer?
Yes — a solo artist, a duo and a band all have the same shape of page. The only real difference is whether the photographs or the catalogue carry more weight, which is a template choice rather than a different product.
Is it free?
Yes. The free plan covers one page, five blocks, five social links and basic analytics, with no time limit and no card. Paid plans add blocks, templates and the second language.
Free, no card.